Raaz the mystery continuous Review

Tuesday, February 3, 2009

RAAZ
Perhaps, the title 'Raaz' should've got everyone's adrenalines shot-up, anticipating it to be a stupefying ride of roller-coaster. Well, the 'Bhatt' factor seems to spell tremendous magic when it comes to 'Horror'. Of course, who can refuse it or forget the most scintillating horror flicks released by the 'Bhatts'. Years back it was 'Raaz' and then '1920' had us tied to our seats and now 'Raaz – The Mystery continues' isn't an elision.

Mohit Suri brims with a commendable directorial and precisely, he strikes with a decent effort on all quotients. Not only does this flick include a gripping screenplay; his top-notch designing of the technical aspects of cinematography and background score too has us raising our hands for a grand applause.

Does 'Raaz – The Mystery Continues' offer a never-seen-before show of an exceptional storyline? Nah! You've the clichéd plotline of a ghost's unaccomplished desire for seeking revenge. But, the difference comes in the form of the unique intentions of a thirsty soul. Don't get surprised to experience certain replicas of 'The Exorcist', or the Recent Hollywood releases 'Mirrors' or 'Stigmata'. With all these properties Mohit Suri doesn't get you disappointed at any moment of the show.

Precisely, at particular points we've him getting through the lines of the 'classic-horror touch' that'll let your nerves frizzled and move you to the edge of your seats. Looking for an illustration; Uh-huh! Kangana's bathtub sequences, Adhyayan Suman dropping cash from an ATM Machine, they are sure to horripilate your senses.

A successful model Nandita (played by Kangana Ranaut) is in love with a creative director of a television program, Yash (played by Adhyayan Suman). Everything is fine and cool until Nandita's life takes a dramatic turn when she meets an artist, Prithvi (played by Emraan Hashmi). He tells Nandita that all the paintings he has made on her are getting disfigured which spells impending danger for her. Initially, she does not believe him but then she starts facing horrifying situations herself. After this, hell breaks loose and an unstoppable storm begins. Thus unfolds some of the most thrilling horror sequences of Bollywood with 'Raaz – The Mystery Continues…'

Kudos to Kangana, Emraan and Adhyayan; they are 'wordlessly stupendous,' showcasing their brilliant performances. Kangana engrosses with her fantabulous actions as a scary girl on the pursuit of detangling the dark-hidden mysteries. Watch her scream while on her anesthesia, they're tremendous getting you awestruck. Obviously, it's a million-dollar expression. On the pars, we have a flabbergasting performance by Emraan Hasmi in a silent-stubborn guy bounded with inscrutable looks. Possibly, Mohit Suri seems to have been vividly influenced by Ed Norton's looks in 'The Illusionist'. Thus getting similar makeovers for Emraan... Doesn't look like a debut show, but a decorous act by Adhyayan. Emoting to different situations of joy, horror and pain, he's patently colossal. Jackie Shroff does justice in his minimal role.

When it's a horror flick, everyone's gotta follow Hitchcock's traits of coalescing the factors of 'foreshadowing', 'pre-planting' and what else? Shuddery twists and turns with shocks 'n' surprisals. Mohit Suri doesn't tread away from the master's theory. If he had penned an impaling screenplay sans unwanted songs and presenting a fine-ending, things would've been far better than the present scenarios.

In fact, a 'horror' doesn't strike richer without perfect musical scores and a spellbinding cinematography. Of course, it's the most innovative angle-moves that fling such a feel… Ravi Waliah's cinematography is top-notch, particularly in the exotic locales.

A short-break from horror is offered through the songs 'Soniyo' [Raju Singh] and 'Maahi' [Sharib-Toshi]. The background scoring is stunningly prodigious enhancing the visuals, especially on scary sequences.

On the whole, 'Raaz – The Mystery Continues' is a superb horror flick with few middling attributes. Although it doesn't happen to be as powerful as '1920', it's worth watching for the enchanting directorial of Mohit Suri.

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